As a fan of the last series of Sherlock (although not that second Orientalist mess of an episode, never that) the news of the second series reaching us on New Year’s Day was obviously exciting news. However, as someone who no longer trusts Steven Moffat with a television script, I approached it with some trepidation. I’d heard before watching that this adaptation’s Irene Adler has been updated from an opera singer who had dalliances with sundry members of nobility to the society set’s favourite dominatrix. I’d also heard, through various interviews and reviews, that this Irene was queer. Reader, my heart positively jumped at the prospect. Having watched the episode some hours ago, I can wholeheartedly say I really ought to have stuck with my trepidation.

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